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A radio edit was made which had the frog saying "This is the Crazy Frog!" and removed some sounds, and a third edit was made for the Crazy Hits album with the frog saying "I am the Crazy Frog!" This song used the "What's going on?" samples twice throughout the song and the "weeee!" sound is heard before the motorbike section of the song. The original version of the song can be found at most P2P networks. The bounty hunter receives notification of a $50,000 reward for capturing the frog.

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The video, featuring the Crazy Frog character, is set in the future, and centres on his pursuit by a bounty hunter. The Ministry of Sound hired Kaktus Film and Erik Wernquist of TurboForce3D, the original creator of the 3D Crazy Frog, to produce a full-length animated music video to accompany the release of the song. The song also uses the "What's going on?" vocal samples (as well as the instruments) from another 2003 cover of Axel F, by Murphy Brown and Captain Hollywood (dubbed "Axel F 2003" and sometimes "Axel F 2004" also produced by Matthias Wagner and Andreas Dohmeyer ).

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It uses mainly the same part of the two-minute original that was used in Jamster's ringtone release. The song consists of vocals taken from the Crazy Frog recording by Daniel Malmedahl in 1997. Wolfgang Boss and Jamster! arranged the remix, and later marketed it as a ringtone. The cover was produced by Matthias Wagner and Andreas Dohmeyer, the two members of Off-cast Project, and Henning Reith and Reinhard "DJ Voodoo" Raith, two members of the German dance production team Bass Bumpers. The novelty song is Crazy Frog's first and most internationally successful single. In 2005, Crazy Frog recorded the song, releasing it as "Axel F", though it also became known as the "Crazy Frog song". UK on a Pop Tip Club Chart ( Music Week) įrom the album Crazy Frog Presents Crazy Hits

  • "Keep Pushing (PTP London Edit)" - 4:40.
  • "Keep Pushin' (PTP 'London' Mix)" - 7:46.
  • "Keep Pushin' (Clock N-R-G Mix)" - 6:27.
  • Another editor, James Hamilton noted it as a "ultra excitingly galloping 135bpm Hi-NRG" track.

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    Music writer James Masterton wrote in his weekly UK chart commentary, "There is no denying the brilliance of this record, making the Harold Faltermeyer classic more of a dance hit than he could ever have dreamed as the song makes the Top 10 close on ten years since the original did the same." Alan Jones from Music Week's RM Dance Update described the song as "another energetic remake". On the Eurochart Hot 100, the single reached number 20 and in Australia, it peaked at number 42. Produced by Richard Pritchard and Stu Allan, it peaked at number five in Scotland, number seven in the UK, number eight in Ireland and number 37 in Sweden. Compared to the original, this version contains rap passages.īritish pop/ dance act Clock released a successful dance cover of "Axel F" in 1995. In 1992, the German techno group Techno Cop covered the instrumental, whose success modestly ranked to a top 30 success. ^ Shipments figures based on certification alone.

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    US Hot Dance Music/Maxi-Singles Sales ( Billboard) It also spent two weeks atop the American adult contemporary chart. This version of the song reached number 2 on the UK Singles Chart and number 3 on the Billboard Hot 100 in the US.

  • Harold Faltermeyer – synthesizers, drum programming.
  • Reportedly, Faltermeyer was against including it, but MCA insisted as it was his most recognizable track. In addition to the Beverly Hills Cop soundtrack, the song also appears on Faltermeyer's 1988 album Harold F. It is composed in the key of F minor.įaltermeyer recorded the song using five instruments: a Roland Jupiter-8 provided the distinctive "supersaw" lead, a Moog modular synthesizer 15 provided the bass, a Roland JX-3P provided chord stab brasses, a Yamaha DX7 was used for the marimba sound, and a LinnDrum was used for drum programming.Īccording to Faltermeyer, the initial reaction to his premiere presentation of the cues to the film's producers and director did not result in an immediate approval it was not until director Martin Brest voiced his approval that the producers showed enthusiasm. The title comes from the main character's name, Axel Foley (played by Eddie Murphy).










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